Tuesday, June 19, 2007

Paris Jazz Festival 2007


Another year, and as the summer starts (or should be starting, climate change permitting) and another Paris Jazz Festival at the Parc Floral also starts (the Parc Floral is the Botanic Garden in Paris).


So far the weather has not great, but the music was amazing, and the concerts each weekend better than the previous ones!! (I'm starting to be afraid that the ones towards the end of July will be too good even to survive the pleasure of listening to them life!!)

;-)


Of course, we were not the only ones at the Parc Floral...

Friday, June 15, 2007

Activites, activites, activites... pas de pause jusqu'a Juliet

Salut a tous/es!!

Voici qu'on va avoir mal a suivre toutes les activités possibles pour les prochains jours et semaines...

Alors, tout le monde est prêt?

On y va!!

Paris Jazz Festival 2007
Fête de la musique
Fêtes a CitéU
Cours de Danses
Fête Médiéval
Couleur Café
Diners cuisines internationales
Picnics
Rencontres
Voyages
Bière & Chocolat
...et beaucoup de plus!!


Ce weekend:

Le Paris Jazz Festival au Parc Floral continue ce weekend avec le thème: "Esprit Django". Probablement je vais y aller les deux jours (comme le w-e dernier), mais au moins on va y aller sure demain (Samedi). Les concerts sont de 15h a 18h, mais a 15h toutes les places sont déjà prises, alors est vraiment meilleur de se rencontrer au parc Floral vers 13h30 si on veux prendre de bonnes places. De toute façon il y a des animations, une expo sur le jazz, de cours d'initiation a la danse, et naturellement la beauté du parc a profiter pendant qu'on attends le concert.

http://www.parisjazzfestival2007.com/

On a aussi des propositions de complémenter le journée jazzistique avec un dîner a un resto Créole typiquement Louissianne pour continuer avec l'humeur du jazz, et pour ceux qui veulent faire de la fête jusqu'à tard, j'ai entendu quelques rumeurs sur une merveilleuse fête a la Fondation Hellénique (Maison de la Grece), a la Cite Universitaire aussi ce Samedi. Finalement, mémé si le temps peut n'être le meilleur pour faire des picnics, on a propose d'apporter quelque chose pour grignoter et du vin et autres boissons pour les concerts au Festival dimanche.

La semaine prochaine:

Fête de la musique: 21 Juin (Jeudi?)

http://fetedelamusique.culture.fr/

Des centaines des activités, concerts partout paris et la France (et mémé ailleurs!! :-o ) ;-) a profiter des le matin, jusqu'à le matin d'après...

Le w-e prochaine:

Oui, le festival de Jazz au Parc Floral continue... Vous ferez bien de vous faire la carte abonnement du Parc Floral cette année (20Euro + une photo, c'est tout, valide pour tout un année).

Mais il y a encore des choses en plus!!! Les festivités du w-e médiéval a Provins. Un w-e au moyen âge, avec des joutes, de la musique, de la nourriture, jongleries, histoires, animations... a ne pas manquer!!

http://www.provins-medieval.com/index.htm


Encore un autre w-e (29/06-01/07)

Ouip, le Festival de Jazz au Parc Floral...

Mais si vous voulez changer de type de musique ou voyager un peu, ou bien visiter le paradis de la bière (un d'eux), et la partie du meilleur chocolat du monde, ou bien tout ça dans le mémé w-e....

Voila: Le Festival Couleur Café a Bruxelles vous attends!!

http://www.couleurcafe.be

En cependant, on a des vieux amis qui reviennent a Paris, des soirées Latino au Diablitho, et tout que vous pouvais imaginer, suggérer, avez envie de faire... (peut être l'unique exception sera qu'on n'aura pas bcp de temps a se reposer, j'ai l'impression...)

On va bien s'amuser cet mois de Juin!!!

A tantôt!!




------------------------------------------------------------------------
>> Vous trouverez cette info aussi avec bcp des
autres choses a mon site: http://nuvol.sdf-eu.org/
------------------------------------------------------------------------
"Groove will get you thorugh times of no money,
but money won't get you though time of no groove"
Jazz musician's saying
------------------------------------------------------------------------

Tuesday, May 22, 2007

A busy week of spring


It's finally spring in Paris, with its sunny and warm April days and its cold, grey, rainy and generally miserable May weekends. But spring brings more than mutable weather, but lots of cultural activities, several Jazz festivals, and plenty of long May weekends to travel a bit or enjoy the city while Parisians are in a traffic jam on the way to Normandy. 
 
All last week was one of these busy weeks. Monday was the quiet evening, planning a trip to Brittany for the 4-day weekend ahead, and starting to pack. Unfortunately, neither the weather forecast nor the traffic previsions were very encouraging, so alternative plans were put in place. Tuesday, after deciding that spending half of the weekend in a traffic jam was not my dream of holidays, I went down to St. Germain des Pres, to get last minute tickets for one of the last concerts of the Jazz Festival. Marcel Solal, great piano improviser, playing in the church of St. Germain des Pres.
 
(a picture is coming here, eventually, and more info on the Festival elsewhere in this blog)
 
Wednesday was the day of our usual Salsa course. I had already danced salsa and other Afro-Caribbean rhythms while in the UK, but when I arrived to Paris I was surprised how seriously people take to have a 'good' style. You cannot just "dance", but you need to know the precise small routines that people get used to in the courses in the city, so, back to beginners courses. Which is lots of fun nevertheless, and good exercise in this otherwise sedentary urbanite life.
 
Thursday was still grey and rainy, so the perfect day to meet a friend for dinner and to go to the 'cinematheque' for an Antonioni film ("L'eclipse"). Friday I had a 'grosse matinee', and in the afternoon I drove to Chartres to visit the Cathedral in depth (I even took the audio-guide with the 'full tour'). A funny experience was that with the laberynth and possibly that "sheep gene" we all have. When I arrived, noone was paying much attention to the medieval laberynth drawn on the floor of the main nave of the Cathedral. Even though I knew I would not get lost (medieval labyrinths are some sort of initiatic symbol, not a puzzle), i decided to 'walk it' to the center. That was already interesting, as you don't realise the complexity of the path till you actually follow it and keep getting closer and farther away from the center till, all of a sudden yo find yourself in the last 'corridor' leading to it (more symbology there). Anyway, as I started asking people to move aside so that I could walk the labyrinth, more and more people started following it, and even a couple of hours later, when I finally left the Cathedral, half a dozen people were still at it. I guess many people felt like walking it, but noone dares to be the first one (or only one) to start behaving in a weird way, and only when people saw that someone else was already doing it, that they could make their minds.
 
Anyway, a short walk in Chartes, and drive back home, getting lost in the way (the road and highway network around Paris is worse that a plate of spaguetti). As I arrived home I met online a good friend who is coming back to Paris soon and we started planning a weekend in London.
 
Saturday was the day of the "Nuit des Musees", that evening a year when many museums and cultural societies open their doors for free and sometimes even organise special exhibitions that you can enjoy from mid afternoon till midnight. Of course the usual 'large' museums get really packed, and moreover, it's a good idea to take advantage of this 'soire' to discover those venues and exhibitions that you might not be able to visit some other time. In our case, while some friends went to the Louvre, Centre Pompidou or the Musee Picasso, we went to the small Espace Dali, in Montmatre, to the Museum and Association of French Franc-masons (Le Grand Orient), that included a visit to one of the oldest Franc-mason Temples in Paris, and finally, not being able to visit the Musee du Moyen Age (too many people queuing), we ended up in the Musee de la Police, where the guided visit took us through centuries of the history of Paris, of the police, with anecdotes from the times of the French Revolution, Napoleon times, and the start of the scientific police.
 
Finally, Sunday was the day to get up late, go to the market to get some fresh greens and fruit, read, watch some DVD, and basically try to recover from this extra active week and get ready for the coming one, which will include a new dance course, may be a trip to visit some of the Chateaus in the Val de Loire... who knows?.
 

Friday, March 23, 2007

Programme Siecleversaire -- Samedi 24


Salut un autre fois!!
 
Les details de derniere minute pour demain.
 
*) Pour ceux qui vienent au Petit Palais a l'apres-midi, peut etre qu'on peut se rencontrer directement cela vers 15h45-16h, ou bien a l'interieur si on arrive plus tard (j'espere qu'il fera meilleur que maintenant). Apres le musee, on peut, si il fait bon, se promenet tranquilement vers le resto, ou si il y a de la pluie, on va aller a prendre quelque chose a proximite du resto. 
 
*) Pour cex qui vienen directement au dinner. Rdv au resto a 19h15, ou bien si vous arrivez plus tot, vous pouvez m'appelller sur mon portable pour demander ou est qu'on se trouve. L'addresse du resto est:
 
10, rue Saint Agustin (Paris 2eme Arr.)
 
 
*) Finalement, apres dinner on va aller au Jokomo, 41 rue St. Maur (Metro St. Maur), a deguster la biere belge et si on est chanceux, ecouter quelque petit concert de blues.
 
:-)
 
Merci a tous!!
 
A demain!!
 
Daniel 
 

Thursday, March 01, 2007

Activites culturelles pour le w-e: art religieux et musique laique

 
Salut a tous et toutes!!
 
Voici le bulletin des activites socio-cultureles proposes pour ce weekend!!
 
Ce semaine la prevision meteo n'est pas precisement pour aller a se promener par des parcs et jardins, et alors on a bcp des activites 'indoors'. ;-)
 
Vendredi 2: ---- Soire Expo: Armenia Sacra au Louvre
Samedi 3: ------ Concert Chancon francaise avec "3 bouts de ficelle"
Dimanche 4: ----- Concert Klezmer avec "A Tickle in the Heart" & Shura Lipovsky
 
          ***************************************************************** 
 
Vendredi 2: ---- Soire Expo: Armenia Sacra au Louvre
 
(Tres grand merci Seda!!)
 
 
Vendredi soir le Musee du Louvre ouvre ses portes jusqu'a 22h et il y a des interessantes reductions au prix des places (gratuit pour <26 et ~30% pour les "jeunes avec de la experience").
 
On peut visiter tout le musee, mais j'ai especial interes a la expo d'art sacre armenien. Cette eposition a ete especialement recomande par une bonne amie qui travaille au Institut Matenadaran a Yerevan, l'origin des objets a la exposition:
 
 
Ma amie Seda m'a dit:
 
(...) I really want you to see the collection
from Matenadaran (name of institute i work at), as even in
Matenadaran it's impossible to see them. There are about 40-50
manuscript books from Matenadaran, and these are the best ones among
the 17.500 manuscript books we have in book-depository  (best with
illustrations/quality/importance/being old and famous, etc, etc,
etc). (...) about 50
manuscripts are in Louvre now, 30 manuscripts will be taken to
Marseille and 30ish to another city (don't remember which one) in
April. So it's a big quantity of such treasure going out for
exhibition. (...) I keep my fingers crossed not to happen anything,
as i know what Matenadaran sent to Louvre.So it's really worth
seeing. (...) I cannot list all of them, just remember "Etchmiadzin
Gospel" (10th century, with ivory binding from 6th century) and
remember Toros Roslin's name (one of the best armenian illustrator of
13th-14th century, Sargis Pitsak and much more... (...)
 
 
 
A quelle heure est-ce que vous veulez q'on s'y rencontre? Peut etre on peut se rencontrer directement au RER?
 
             **********************************************************************
 
Samedi 3: ------ Concert Chancon francaise avec "3 bouts de ficelle"
 
Pour lesquelles n'ont pas ete capables de les voir la semaine derniere, ou pour qui veut bien repeter ...
 
Sam 3 mars, 20h00              Jokomo Bar
41 rue St Maur, 11e              Bar Blues
M° St-Maur                          1ère partie surprise
 

Trois bouts de ficelle
Chanson franco-acoustique

le petit       Chant/Batterie
le moyen   Guitare/Choeurs
le grand     Piano/Choeurs

www.troisboutsdeficelle.com

                 **************************************************************************************

Dimanche 4: ----- Concert Klezmer avec "A Tickle in the Heart" & Shura Lipovsky

(Merci Christine pour ta proposition)

 Dimanche 4 mars 2007

17h00

A Tickle in the Heart & Shura Lipovsky

« Yiddish Storyteller from NY »


Bernd Spehl (clarinette, chant) - Andreas Schmitges (guitare, danse, chant)Thomas Fritze (contrebasse, guitare, percussions, chant)

L'ère du swing des années 30 marque le dernier grand essor de la musique Klezmer aux Etats-Unis avant un silence qui devait durer presque une quarantaine d'années. Le tube Bay mir bistu sheyn, des « Andrew Sisters », reprise d'une chanson du théâtre juif, signe le début de toute une série de « Swing-meets-Klezmer-Arrangements ». Benny Goodman, Ziggy Elman, Artie Shaw et même Cab Calloway jouaient alors des « Yiddish Melodies in Swing ».

Shura Lipovsky (Pays-Bas) est une des interprètes les plus connues du chant yiddish. Après des études de chant à Rotterdam et de yiddish chez Mira Rafalowicz et à la Oxford Summer University, elle s'intéressa patriculièrement à la mystique juive et à la danse. En 2005/2006 l'artiste fréquenta l'Ecole Internationale de Theatre de Jacques Lecoq à Paris. Shura Lipovsky enseigne à des masterclasses pour le chant yiddish et organise des workshops sur le thème « danse, chant et histoire dans le chassidisme ». Elle chante et enseigne en Europe, en Russie, aux Etats-Unis et au Canada. Elle est membre actif de « Musiciens sans frontières » (Pays-Bas), une organisation qui travaille pour la paix dans des régions en crise. Shura vient de donner  un concert avec un orchestre de Mostar et travailla à Sarajewo avec la chorale interréligieuse Pontamina. Elle donne régulièrement des cours à la Maison de la Culture Yiddish à Paris. Shura Lipovsky peut être considéré à juste titre comme la perle des chanteurs et chanteuses yiddish.

CDs de Shura Lipovsky : Moments of Jewish Life, Jews and Christians: Music in Mediaeval Spain, Heroes and Poets/Giboyrim un Poetn

Tarif spécial   10 € (plein tarif)/7 € (tarif réduit)


Lieu :

Maison Heinrich Heine, Fondation de l'Allemagne, Cité Internationale Universitaire de Paris

27c, bd Jourdan, 75014 Paris

Tél. 01 44 16 13 00 – Fax 01 44 16 13 01

info@maison-heinrich-heine.orgwww.maison-heinrich-heine.org

           ********************************************************************************

Voila!

Ca c'est tout!! On va se contacter pour s'organiser, se retrouver etc?

A tantot!!
 
Daniel 
 

Wednesday, February 14, 2007

Film: The Lives of Others


No, I have not stopped going to the cinema... I just didn't have the time to write anything about the films I had seen, or not much to say about them, or didn't know what to think about them.


But for this film I'll make an effort, because I do want to recomend it. The film "Das Leben der Anderen" is not a spy film, as someone had told me before watching it. Although it is a film about a time and about a place where spying was the norm, and not the exception.


The action takes place in Eastern Germany a few years before the fall of the Iron Courtain. It is the life of a playwriter and of the Stasi officer in charge of surveying him. The film is not an action film, all the contrary. It explores the relationship between the observer and the unaware observed one. This relationship becomes more complex when the officer in charge of the surveillance starts covering for the activities of his target. It is also about the different types of people and their reactions and attitudes towards a police state like that one.


An excellent film. If you like it, or if you are interested in that place, that time, the Stasi, etc, I would also recommend you a book. "The Man without a Face" are the memoires of Marcus Wolf, who was the director of the Stasi in its most active years. Very enlightening... ;-)


Sunday, January 21, 2007

Back to our 'Caveau'

That is, the 'Caveau des Oubliettes', in the Latin Quarter of Paris. This used to be our usual haunt for Friday and Saturday evenings, but as sometimes happens, at some point we had stopped going and now it was may be over half a year since last time.

So we decided to go again, we met to go for dinner to an excellent Mexican restaurant (Fajitas), and then to the 'Caveau', to enjoy the night's concert. On this occasion, the organisers surprised us with a funky concert. After this return to old good habits, I guess we'll be back on th etrack to continue exploring this and other legendary jazz venues in Paris! :-)

Wednesday, January 17, 2007

"Apocablunder"


Or "Apocalypto", as Mr. Mel Gibson probably thinks it should be called. At least that's what's written on the posters of the film. I was a bit hesitant to go to the cinema see this film, but I swallowed by skepticism and went to see it. According to the publicity and some critics, it was "Mel Gibson looking into the end of the Aztec civilisation, analysing the reasons that had corrupted their society from the inside, making it prone to crumble at the arrival of the Spanish 'conquistadores'". Just in case some of the people that go to the cinema to watch it had not heard that description of the film, an introductory quote reminds you that that is the aim of the film. Or that is the pretension. On top of that, the film had been filmed in some (would be) indigenous language.
 
After all that you mostly expect a profound socio-historical analysis, may be almost documentary-like, about the last years of the Aztec Empire. Instead, you find yourself in front of the silliest story, where a bunch of merry tribespeople are massacred by another more violent tribe, and the survivors taken to be sold as slaves or to be used as human sacrifices to the gods. By the most abused of reasons (an infinitely opportune eclipse, no less), our hero and a few of his chums are spared from dieing at the sacrifice altar, but become game for their captors violent games. Predictably, our hero manages to escape, and although he has nos been fed in days and he is badly wounded, he manages to kill almost a dozen of the same warriors that he didn't manage to defeat on a one-to-one fight when he was fully rested and fed at the beginning of the film. And he does so, just in time to see the 'conquistadores' landing on the beach and to rescue his wife, who has just had a baby while she was hidden/trapped in a pit in the jungle. 
 
The film is in my opinion: shallow, predictable, topic and on top of all that, pretentious. Don't waste your time. I'm sure there's some other film you will enjoy more, or even you could watch telie and you would waste your time less.  
 

Wednesday, November 01, 2006

"Castanyada" in Barcelona (I)

Finally, this year I've managed to be in Barcelona for the "Castanyada", "Tots Sants", etc. For a week, I'm enjoying meeting many of my old friends and even being this time of the year, even having the chance of going to the beach and getting all the good weather I can before going back to Paris to weather the long and cold winter there.














Thursday, October 19, 2006

A book: "A year in the merde"

You start a new book at around midnight on a Saturday evening, and you don't notice the hours pass by till you only have a few pages left and it's 6AM and you've barely stopped a few times to change the music and to get some more nibbles or sthg to drink. All the while you are concerned that you are often laughing so loud that you are going to wake up your neighbours. That was at least my experience of "A year in the merde", by Stephen Clarke.



The story is about this young and ambitious British manager who accepts a job in Paris to launch a chain of tea-rooms, but not only that. The book is a description of all aspects of the culture shock of a Briton (any foreigner, really) arriving in France: language problems, work etiquette and attitudes, body language even, food, restaurants, the housing market in Paris, the continuous strikes, political ethics, the French health service...

A terrific book, and indispensable reading if you have lived or are going to live in Paris for a while, and although you might think sometimes it is borderline psychedelia (if you have not experienced living in Paris yet, that is), it's all true (probably). And best of all, it's a book with very little concessions to political correctness.

Just one last warning: if you are French, you might not like it.

Sunday, October 15, 2006

Exhibition: "Venice & l'Orient" at the IMArabe

Work in progress.... but here you have a picture... (a bit moved, but...) ;-)

http://www.imarabe.org/temp/expo.html




Friday, October 13, 2006

Musee Quai Branly: D'un regard l'Autre



This week I've had the pleasure to go to the Musee Quai Branly in Paris and visit the temporal exhibition "D’un regard l’Autre" (http://www.quaibranly.fr/). Although it was late and we had to rush through the different rooms containing a very heterogeneous collection of exhibits, and at first I was a bit puzzled by the organisation of the exhibition, I have to admit that once I've had time to reflect on it I've found it very original and informative.

The exhibition shows the evolution of the image of the 'exotic' places seen from european/western eyes along the ages, from the middle ages to the present time. starting with the scary images of salvage men and women, who would only be covered with their own fur (!!) and who would enjoy tearing apart and eat any lost explorer, as depicted in many medieval books, to the present assimilation of african, asian and native american art in contemporanean art, passing by the treasuring of exotic materials and items and later the catalogation and detailed description of animals, plants, buildings, cultures and customs with the birth of the scientiffic method and ethnographic disciplines.

Friday, September 15, 2006

Saturday Night Music


What could be a better plan for a relaxed Saturday evening, after having spent the afternoon walking around in Paris than going to some bar with a friendly atmosphere where a good band is playing? Well, that was exactly our plan last Saturday. I had met Ainhoa in the early afternoon and Hans a bit later and after having an early dinner at our favourite creperie in the Quartier Latin, we headed for some concert that was supposed to start at 20h in a bar that is actually on a boat moored in the Seine.




Unfortunately, when we arrived there, nothing was happening, the place was empty, dark, abandoned even... We got a beer from a 'terrace' outside, and waited for about half an hour, and nothing was happening. A few people walked in and asked us about the concert, to which we could only reply that we were also waiting for that. After a while we decided to go elsewhere and we found this small 'bistro' close to 'Grands Boulevards' where a band called 'feeBidou' was about to start playing. The style and sympathy of the band easily got everybody in a very good mood and cheering and following the tunes. The type of music reminded me of the music of the old silent films, where a piano was giving the rhythm to the action.  In this case, the three musicians were playing double bass, accordion and banjo, and you could really visualise the story they had told before starting each piece. So with them we followed the Tour de France, and some memories of the accordion player in his favourite bar, playing table football, the adventures of Batman in Rumania, and finally even one of their pieces was an homage to Melies.



 


I'll be looking for their next concert, and for their third CD that should come out any time soon. You can find more about them at www.freebidou.com

Wednesday, September 06, 2006

On the real cost of things and services

Spending some wonderful weeks in Thailand during my summer holidays this year, I've had the chance to reflect on many things, and I've come to confirm some concerns I had about the real cost of certain items and services and what we end up paying for them.

When you make your first acquaintance with economic theory, you are told about equilibrium points between offer and demand, with some obvious concessions to product cost. But of course, that implies a few very hard conditions which include perfect competition, no barriers of entry into the market and all parties involved having perfect information. Obviously, none of those conditions apply fully (sometimes not even remotely) in the real economy, and therefore, the pricing of many things are severely distorted.

Before the last ones of you fall asleep, an example. Where should a bottle of French wine cost more, in a restaurant in Bangkok or in an equivalent one in Paris? Of course, you've guessed that it was a trick question, and you've got it right: The equivalent wine, in a similar restaurant, costs about 20% less in Bangkok than in Paris. And that is only an example, the same meal in each of those restaurants will probably cost double or more in Paris that in Bangkok. Anything you buy in a department store, from clothing to electronics will present the same difference in price.

Some of the arguments people will use to justify that difference will involve that the items involved are manufactured in the region (well, somewhere in the continent, which might not be just around the corner) so the difference includes the transport costs. However, as much as that argument *might* (I don't use *do*) explain the difference in the price of electronics and clothing, it does not explain the bottle of French wine being cheaper in Thailand than in France. So that argument *might* explain some small variations in specific items, but it cannot be accepted as *the* general explanation.

Another argument will run in the line of comparing the average salaries, cost of living and tax pressure of each country, and say that as the wages and the cost of running the restaurant (shop, department store, ...) are lower, then the product offered can be sold at a lower price and still make the same margin (economists might start talking of purchase power parities here...). Well, that *could* have more chances to explain the difference, even for our bottle of French wine, but there are other examples that are more difficult to explain.

As I was on holidays, and I was making the trip I had been planning for a few years, and being a very mean person myself, I wanted to make everybody very jealous, so I decided to send a few dozens of postcards to friends and family. You will agree with me that the distance between Paris and Bangkok is the same that between Bangkok and Paris, and that sending a letter (or a postcard), should incur in, basically, the same costs no matter in which sense it was sent, as the distance is the same, and assuming that the amount of people incurred in classification at origin are probably similar to the amount involved in delivery at destination. So, if the costs are the same in both directions, I would be very obliged to anyone that could explain me why sending my postcards from Bangkok to Paris (or Europe in general) coasted me less that half of what it costs me to post a postcard within Paris!! ;-)

At this point is when I would like to introduce one point. May be there are many things that are priced by *how much people are willing to pay*, instead of by *how much does it cost*, even in the case where demand is not that high. A clear example could be any small plastic item that is cheap and more or less widely used but not essential: Take the nylon loop people use to hang their mobile phones or MP3 players or keys from their necks, or any other item like that. It is an industrial product that is probably produced by the millions, with a cost of about a couple of Euros for a thousand units. How much does it cost in a shop? Probably if you buy it with your MP3-player it will cost you at least 10-15 Euro (but it will come in a nice branded blister). If you buy it in one of those wonderful 'bazaar'-shops you have in any town and city, run usually by old ladies or sometimes by people belonging to visible minorities, and stocking all sorts of different stuff, it will probably cost you only 1-3 Euro (and it will come without the packaging). You can find the same phenomenon with hardstore items like plug adaptors and extension cords, can openers, etc. Probably it is the same for many drugstore products and for some services as well, like posting a letter or sending an SMS. I would say that it's just a matter of there being a price that people are willing to pay without considering looking for a lower price. One could say that below a certain fraction of the purchase capacity (i.e. income) of the individual, the price of an item looses its comparative meaning.

One of the corollaries of that is that because we don't care about the price of some things as long as they are below a certain price threshold, this part of the consumer economy where we live becomes inefficient, and we pay the costs (as usual), and someone else gets rich because of our indifference.

Another example, the cost of sending an SMS from your mobile: you might have noticed that all mobile phone operators in your country (and I don't mind which country do you read this from) charge the same price for each SMS you send, and from time to time they offer some free SMSs as special promotions. In fact, and trying not to go into too much technical detail, the mobile phone network and your phone need to be in more or less continuous communication, to assess the level of signal, and to know when to switch your connection from one area of the network to the next as you move (from one "aerial" to the next one, if you wish). That communication is just a stream of data, and it does not matter if it's more or less random data or if it includes a few SMSs, so the real cost of sending an SMS is naught (zero), because the communication has to be done anyway. But everyone is happy paying a few cents of an euro for each message sent, without realising that at the end of the year, the phone company is getting most of their profit from your SMSs. (for me, with an average of a couple of SMSs per day, amounts to about a 100 Euro a year).

Anyway, just in case there's anyone still reading, and to finally stop rambling: the thing I wanted to share was my disappointment on realising how little criticism we apply sometimes when purchasing items and services, which lead to big inefficiencies (meaning that we have to pay dear for things that are actually very cheap), only because we are sometimes too lazy to look around and punish those who overcharge us by the simple method of shopping elsewhere.

'Voila'. That's all folks. I've finished.

Friday, July 14, 2006

14th of July in Paris


It's the middle of the summer... The quicksilver in the thermometer only climbs and climbs, and of course when a three day weekend shows up to celebrate some French national day or something like that ( ;-) ) people leave Paris like if the plague had broken loose in the city.

Surprisingly though, when we headed to the Champs de Mars, to enjoy the firework display that was about to be launched from the Eiffel Tower, we found out that everybody had come back to the city and was standing there, all 20 millions of them (and a few tourists as well, filling the spaces). In any case, the fireworks were really astonishing (as you can see in the picture), and the crowd not too annoying (Big thanks to Alexey for the excellent picture of he fireworks).

The other traditional event that marks the festivity is the usual military parade in the Champs Elisees on the morning of that same day. Of course I missed it, I had much more exciting and intellectually satisfying things to do, like helping a friend to move out from her flat, than waste my time watching a few infantry companies, tanks and jet fighters pass by, but I could not avoid hearing about it on the radio. And it made me start wondering...

I do sort of understand that in the middle ages, as may be a century ago, the influence and power of a nation was defined almost exclusively by its diplomatic influence, backed of course by military power, and therefore those parades were the perfect occasion to show (off) to everyone who would care to watch, how disciplined, powerful, and frightening, the armed forces of that country were. In fact, most of the times, the aim of the exercise would not only be to fill with pride the citizens of that proud and powerful nation, but also to fill with awe and respect (call it fear), the representatives, ambassadors and other visitors of foreign countries.

But nowadays, after two world wars and the cold war period, someone with a naive mind like mine would think that for most cases, in this globalised world of today, the influence that our nations are able to exert would not be a reflection of such imperialist and primitive ways, but based instead on economic prowess and human, technological and scientific development.

After reflecting on that, and on the obsolescence of those military parades for a few days, I can only think that the only reason to keep those parades is to justify the expenditure on defense but specially because they have become a tradition the logic of which no one has yet seriously dared to contest.

On the other hand, I do have to admit that a bunch of soldiers parading in their 'Sunday' uniforms, some rumbling tanks that are too heavy for the pavement of the city, and a few noisy jet fighters and helicopters, are surely more colorful to watch than the equivalent amount of scientists, businessmen and engineers.

Again at the Paris Jazz Festival

Again and again we keep going to the Paris Jazz Festival, but we cannot help it. Music is usually brilliant, and the surroundings gorgeous, and even if you are not interested at all in the music, you can always sit on the grass and enjoy the sunny and hot weather.




Highly enjoyable was the blues weekend, with the concerts of Patrick Verbeke Quintet and Jean Jacques Milteau Quintet, that included one of the best guitar players I've listened to recently. But not only that, at first all of us had the impression that the singer in the band of Jean Jacques Milteau had a rather soft voice for a blues singer.... until she stopped holding herself, stepped aside from the microphone and started singing with her full voice!! (and probably a few people at the end of the open concert hall were projected into the lake behind!!). Another CD to order from Amazon...




On the following weekend the concerts might not have been that interesting, but the weather and the park was, so... we had a nice picnic with pleasant jazz background music.

B-)

Monday, July 10, 2006

"Paris, je t'aime"...



"... le film evenement de la saison". Or, the film-event of the season, as the publicity of the film descrives it. And at least in terms of the people that have colaborated to the realisation of the film, it does seem to be a big event, or the cinematographic version of a jam session at least.
 
Over 20 directors and scriptwriters and scores of well known actors and actresses have colaborated to create this great jamboree of short stories, of all different sorts, shapes and colors. Well, not all shapes, they all had to fit in the two hours of film, which in the end made that some of the stories were overtly simple, a bit of a cliche. But well done cliches can still be very enjoyable, and many of these stories are. There are all sorts of situations, always revolving around love and Paris. Sometimes classic romantic love, sometimes the sadness of a lost chance, the longing for a deceased loved one, the pain of breaking, the memories of a past love, misunderstandings in the metro of paris, or even the lust for blood and ethernal love.
 
Not all the short films are of the same quality, or may be it will more accurate to say that not all short films will appeal equally to all audiences (I do personaly reckon that some of the stories could have been dropped and allow some others to be developed in more depth; but of course, i never liked mimes... ;-)). It would be very hard to choose one of the stories, but I specially enjoyed the situation devised by the Coen brothers in 'Tuileries', the interpretation of Juliette Binochein 'Place des Victoires', the story 'Faubourg Saint-Denis' with Nicole Portman and Melchior Beslon, and the story that closes the film, '14eme arrondissement'. I would say, that may be I might not have liked some of the stories on their own, but i did enjoy the film as a whole (even as I was a bit sceptic about it beforehand), and specially I found some of the stories specially moving, or hilarious, or sad... From my point of view, a good film.
 
 
 

Monday, June 26, 2006

Having lunch with four charming tourists from Spain...

Monday, June 12, 2006

Paris Jazz Festival 2006



Paris has a very special relationship with Jazz. It was here, in the quartier of Saint Germain des Pres, after the Second World War, that Jazz music landed in the continent. Jazz not only stayed here, but over the years completely new styles have been created in these caveaus.

In any case, it's not going to be me who starts rambling about the history of Jazz in Europe, so I'll get to the point and introduce a couple of pictures taken las Sunday in the Parc Floral (the botanic garden), where the jazz festival is held during the months of June and July.

These are Mina Agossi and Curtis Stigers & his trio, all of them excellent artists, but my favourite band so far is definitely the one composed by Petra Magoni and Ferrucio Spinetti, that played on Saturday the 10th.

Thursday, June 08, 2006

Good friends visiting Paris





Summer weather has finally arrived to Paris (well, more or less), and with it, the long days that are so suitable for a pleasant stroll in the city.

And how could it not be pleasant with my good old friends coming to visit and to wander together in this nice city?

Thanks Florence, Evelina, Marc, Didier and Daniel for your visit, and to help me to explore and discover Paris!!

:-)